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Few structures in occult history carry the weight and mythos of Anton LaVey’s Black House. Standing on California Street in San Francisco until its demolition in 2001, the house became more than just a dwelling—it was the headquarters of the Church of Satan, a stage for ritual, and a fortress of ideas that reshaped modern occult philosophy. Its pitch-black façade and gothic presence made it a beacon for both fascination and controversy, a building that became as symbolic as the man who lived within it.

To capture that essence takes more than skill. It takes vision.

That vision belongs to Magister Frost, who came up with the design and then commissioned Lewis Barrett Lehrman, celebrated master watercolorist and artistic chronicler of dark Americana. Lehrman’s work is known for blending precision with atmosphere, and in this limited edition print, he reimagines the Black House in its “perfect setting”—a phantasmic tableau that lifts the infamous home from its original San Francisco lot and places it in an idealized, haunting landscape. It’s not simply a record of what was, but a dream of what could have been: the Black House as a timeless icon, perched where it truly belongs, surrounded by shadow and silence.

This piece is more than art—it is preservation. The original Black House is gone, but in Lehrman’s watercolor, its spirit is eternal. Every brushstroke hums with the resonance of occult history, a reminder of LaVey’s audacity and the cultural tremors he set loose in 1966 when he founded the Church of Satan within those very walls. To hang this painting is to carry a fragment of that history into your own space.

And it is rare. Only 333 numbered editions exist, each available as luster-finish print, mounted foamboard, or gallery-wrapped canvas. At 20"×24", the work commands presence, not as a mere decoration but as a relic of subcultural history. It invites conversation, reverence, and contemplation.

For Satanists, the collector, the occultist, or anyone attuned to the significance of cultural artifacts, this is an object of desire. It is a bridge to a vanished house that remains alive in memory, myth, and now—in watercolor.

The Black House was torn down. But its legend refuses to be buried. With Lehrman’s brush, it stands again.

Claim your piece of history.
Explore The Black House – Phantasy Series